Conversational LUT design

The darkroom speaks
your language.

Describe a feeling, a film, a frame from a movie. LUT Foundry returns two distinct colour grades — fully developed previews in seconds. LUTs can be used for both still images and video.

Neon Noir — graded
Neon Noir — original frame
BeforeAfter
Neon Noir · demo
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· The process

From a single sentence to a finished look.

01

Describe

Tell LUT Foundry what you want — a mood, a film stock, a frame from a movie, even a half-remembered afternoon. Plain language is the only syntax.

02

Compare

Get two distinct interpretations side by side: one faithful to your reference, one that takes a creative leap. Preview them on real frames before you commit.

03

Refine

Iterate in plain language — warmer shadows, less green, more contrast in the mids. LUT Foundry remembers the conversation and evolves the look with you.

· Works everywhere

Export a standard .cube drop it into anything.

Every LUT exports as an industry-standard .cube file — compatible with virtually every photo and video tool on the market. Use the same look across stills and motion.

Adobe Lightroom

Classic & CC · Profile import

Adobe Photoshop

Color Lookup adjustment layer

DaVinci Resolve

Free & Studio · Color page

Premiere Pro

Lumetri Color · Creative tab

Final Cut Pro

Custom LUT effect

Capture One

ICC & LUT styles

After Effects

Apply Color LUT effect

OBS, FFmpeg & more

Anywhere .cube is supported

· Loved by image-makers

Trusted by photographers, colourists & filmmakers.

★★★★★
It's the first time a tool actually understood what I meant by ‘faded matinee with green shadows.’ Two looks, both usable. Wild.
Maya Okafor
Wedding & editorial photographer
★★★★★
I describe the scene, get a .cube, drop it into Resolve. My grading turnaround on short docs has cut roughly in half.
Daniel Reiss
Colourist · Berlin
★★★★★
I stopped buying preset packs. I just write a sentence and iterate until the look is mine. It feels like a darkroom that listens.
Priya Anand
Travel & lifestyle creator

· The slow newsletter

Not ready to sign up? Stay in the darkroom.

One quiet email a month — new looks, prompt ideas from working photographers, and occasional behind-the-scenes notes. No spam, unsubscribe in one click.

One email a month · unsubscribe anytime

Your next signature look starts with a sentence.

Open the studio
Moonlit Indigo

“Blue hour. Hold still. Don't let it know you're afraid.”

Sun-bleached Kodak

“Summer before everything changed. Warm. Overexposed and free.”

Whiteout

“Alone. The kind of cold that has no end.”

Editorial Scarlet

“Primary colours. Loud. A little dangerous.”

Imperial Jade

“Ancient silk. Dust and ceremony. Faded imperial blue.”

Velvet Plum

“Disco lights going down. Somebody just broke someone's heart.”

Fight Night

“Pain in slow motion. Copper and sweat and grey.”

Amber 35mm

“Amber floor. Determination. Shot on film in 1998.”

Moonlit Indigo

“Blue hour. Hold still. Don't let it know you're afraid.”

Sun-bleached Kodak

“Summer before everything changed. Warm. Overexposed and free.”

Whiteout

“Alone. The kind of cold that has no end.”

Editorial Scarlet

“Primary colours. Loud. A little dangerous.”

Imperial Jade

“Ancient silk. Dust and ceremony. Faded imperial blue.”

Velvet Plum

“Disco lights going down. Somebody just broke someone's heart.”

Fight Night

“Pain in slow motion. Copper and sweat and grey.”

Amber 35mm

“Amber floor. Determination. Shot on film in 1998.”